![]() It took us to fantastical worlds, from belching hydrothermal vents to a whale fall-the decaying carcass of a sunken whale. And its low temperatures and crushing pressures make it so inaccessible that it has barely been explored, much less filmed.Īnd yet, Blue Planet succeeded amply. Its perpetual darkness does not exactly make for compelling cinematography. To devote 50 minutes of television to exploring the deep ocean seems, at first, like lunacy. It follows in the tradition of the original Blue Planet from 2001, which also voyaged into the abyss for its second episode. Two weeks ago, I described Blue Planet II as the “ greatest nature series of all time.” I stand by that, and I’m also crowning “The Deep” as the greatest of the series’ seven episodes. Some are so overwhelmed by the salt that they go into shock, their sinuous bodies twisting into convulsing knots. Illuminated by submersible headlights, and accompanied by choral music, cutthroat eels wriggle from the “shores” of the lake and dive into its midst for reasons unknown. One such lake features in “The Deep”-the second episode of Blue Planet II, which aired Saturday on BBC America and other networks. It sinks, pools, and refuses to mix with the surrounding seawater, creating perception-defying lakes that, despite being hundreds of meters deep, have their own surfaces and shorelines. These are places where the water contains far more salt than usual, making it extremely dense. There are lakes at the bottom of the ocean.
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